"[89] Charles Pulliam-Moore of Gizmodo wrote that "Soul will come throughout less like an earnest and casual celebration of everyday Blackness, and much more like a twee depiction of it that's meant for white audiences' consumption."[90] Namwali Serpell of The New Yorker published an extensive critical essay from the film, https://raymond0f83g.spintheblog.com/27133468/a-review-of-soul